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Reproduction du tableau Lerchenfelder Linie, grande parade de l'église Balthasar Wigand Angleterre His way of modeling faces His way of modeling faces and handling materials gives his works a palpable truth The atmosphere is both studious and graceful: each figure seems to participate in a silent choreography where the texture of the paper and the precision of the line tell the exercise of the model and the painter's sensitivity or bedroom A decorative acquisition with multiple assets
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